February 22, 2009
I set out some period supplies to discuss. Wax tablet, different kinds of oak galls, walnut husks, handmade ink, cut quills, paints in shells, shell gold, gum ammoniac, gum arabic crystals, vellum scraps, malachite and lapis lazuli samples, agate and hematite nugget burnishers, and the Hours leaves I did for A&S last year.
February 1, 2009
January 31, 2009, a Purple fret for Khadagan Jochilun. I did both the Calligraphy and Illumination. The calligraphy is an eastern or Bari type Beneventan Minuscule. The border is based on a border motif from the 11th century Bari Exultet Roll.
January 31, 2009, a Bronze Ring for Miguel de Santiago. I did both the Calligraphy and Illumination.This was based on the Berlaymont Hours, c. 1470-1475, a Book of Hours comissioned for a gentleman. The Berlaymont hours use an unusual color scheme of ochre, brown, teal, and a deep dusty rose/salmon.
January 11, 2009. Award of the Baton (a youth award) for Kinji. I did the calligraphy in an Uncial, Ruth Ellyson did the illuminated blank.
January 11, 2009, Order of the Evergreen for Elaine Ladd. I did the calligraphy in a Humanist Roundhand; Anna Rakel did the Illumination in an Italian Whitevine stlye.
January 31, 2009, AOA for Thomas Ayleward. I did the calligraphy in an Uncial; illuminated blank was by Mikhail Lubelska and Sorcha O'Brannigan.